Susan Hancock Susan Hancock

Perfect Lyrics

Even without music certain lyrics sing. What is this quality? Yeats doesn’t have it; Blake does. Well, of course this needs to be qualified, of course it does: so, better to say that Yeats has a rather self-conscious lyricism, that the singing doesn’t often feel fully spontaneous, that it’s a little bit arch, a little bit art song

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Is ‘Medea’ a Feminist Text?
Susan Hancock Susan Hancock

Is ‘Medea’ a Feminist Text?

Who would marry Medea? Who would write about her as if she were a normal woman? The answer to the first question is ‘Probably nearly anyone’ – Medea wild with love and beautiful - and to the second, much the same. A lot of student essayists write about this classic as if, in some respects at least, Medea were like any neighbour, any woman you might find just living down the street. In this version the play is seen as a feminist text, excoriating Jason and stressing the plight of women in a social culture where they are the inferior sex, and Euripides is seen as hoisting the flag for Feminism .

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Hamlet & Oedipus Part 2
Susan Hancock Susan Hancock

Hamlet & Oedipus Part 2

Hamlet & Oedipus Part 2 The Raven returns: His gear is only half-unpacked. His room, apart from the reading light over his desk, is almost completely dark, and the rest of the house is empty, everyone else is still away.

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A Christmas Greeting, Brief but Meaningful, from The Raven
Susan Hancock Susan Hancock

A Christmas Greeting, Brief but Meaningful, from The Raven

A Christmas Greeting, Brief but Meaningful, from The Raven TO ALL : PEACE AND GOODWILL This is the Festive season. Deeper than this it is also the Season of the greatest of all Mysteries: ‘the intersection of the timeless /With time.’ (T.S. Eliot), the celebrating of the majesty and miracle of the Christ Incarnate.

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The Irrational
Susan Hancock Susan Hancock

The Irrational

The Triumph of the Sphinx – her cruel and irrational power over human life, one of the key themes in Sophocles’ Oedipus Rex. She was often represented on the tombs of young men, as here. She is the most formidable enemy Oedipus has to face at Thebes.

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Susan Hancock Susan Hancock

Getting Away From The Dark Side: Oedipus and Hamlet

One of the best commentaries on Sophocles’ hero, Oedipus, and the Vision of the play can be found in the Penguin Classics reprint: SOPHOCLES. The Three Theban Plays:  Antigone, Oedipus the King, Oedipus at Colonus.  The fabulous translation of these works by Robert Fagles has none of the self-conscious ‘classicism’ and ‘Ancient’ staginess of so many others.

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The Charm of the Great Gatsby
Susan Hancock Susan Hancock

The Charm of the Great Gatsby

 Is The Great Gatsby ‘deep’?  That’s probably not the right word; there’s something about its surface lightness, something that keeps it buoyant, despite the sorrows it touches on and sustains, that makes ‘deep’ seem top-heavy, slightly wrong.

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Susan Hancock Susan Hancock

Chronicle of a Death Foretold

Earlier this year there were major floods in Colombia. The site of Garcia Marquez’ novels was awash; rivers were swollen, houses and people were swept away, whole villages were blotted out. Day after day the world turned to water.  Indeed there was so much water running through Colombia that for those of us living in chronically dry places, stricken by drought and bushfire, it was like something from the Bible, something you believed in but could hardly imagine happening in the same space and time that you yourself lived in. Almost beautiful, until the statistics hit home.

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